its a pleasure to introduce tony rainwater, undoubtedly the most productive and creative savage weve come across recently. see usually we dont do this, lehult is a crew affair, but this guy left us no choice. being a music enthusiast, dj and dancer for a long time, tony has only most recently picked up producing his own music, yet at a stunning rate: when we first asked him for a demo, three months after he started producing, he swiftly dropped us a set of twenty-five tracks, another set of fifty more soon followed. his productions are straight rough edged, no-prisoners-taken jams, combining samples from the most far-flung corners of his eclectic music collection. his magical patchwork wild style is on full display on his debut rockberry jam ep for lehult. the a-side takes us through the lighter side of his repertoire with the title tracks slow building house groove, some dizzy medieval monk grooves on to all the world and seductive r&b on lay it on the line. on the flip operalight irresistible groove and black dream flowers provide some darker moments, before alone closes on a soft note. the vinyl version includes an extra goodie after the runouts. tony is now a fixed member of the crew already and were proud to have him and his crazy energy on the team. this wont be the last youll hear of him.

senso sounds drop a major release from techno heavyweight dubfire and label boss oliver huntemann. reuniting the partnership that has seen a string of seminal releases over the years in the form of their ‘elements’ series, ‘humano’ is the 2nd part of a continuation of this series - more weapons of grade dance-floor material from the high profile duo. later on this year their partnership will be summarized in their ‘restrospectivo’ album. former deep dish man dubfire’s uncanny knowledge of how to create epic dance-floor moments is in full effect, combined with huntemann’s precision tool production techniques on the original version of the title track. the result is a super tough, tight and incalculably driving slice of techno goodness that will ignite floors worldwide. the rest of the ep manages to maintain the pressure - with a set of sick remixes from victor ruiz, hatzler and shaded. ruiz, the brazilian techno pioneer adds another level of fire to the original, tweaking and refining the track into a damager that pushes everything to 11 and hits home with every play. hatzler, the hamburg based german dj/producer chooses a different direction - emphasizing more of the space in the original. rinsing the tension to the next level, look out for the epic middle section break down. the whole package is primed to destroy clubs far and wide - techno at its most effective. shaded’s summer skin remix also delivers a tightly wound interpretation, with a bubbling bass line and nervous, excited groove providing the fuel for an extended dancefloor excursion.

very excited to welcome dimitri monev, deltano and manna from sky to the vision room recordings records family. vrv01 includes two phenomenal originals from dimitri. on the a side includes a full length remix by delatano and on the b side a groove remix by manna, which is sure to move the dance floor. with both these signature sounds on one ep makes for a very special release. as always all feedback is welcome and we hope you enjoy ! thank you for the support thus far & cheers from belgium

rote return to bleed for a second ep release on the label, the first of 2016. formed of daniel avery and label-head volte-face as an open-ended side project, the duo tend to adost an esoteric and experimental approach to techno, expressed in this case with 5 diverse original tracks. as solo artists, volte-face has appeared on svrecas semantica imprint as well as releasing 3 solo eps on bleed thus far. daniel avery is a high-profile fixture on club and festival bills, and is soon to be found contributing to the legendary dj kicks series. ep2 builds on the sound of the duo s debut ep, which was well supported in the underground, and remixed by experimental techno doyens dj nobu and svreca. featuring two heads down eyes closed club tracks, rote 3 and rote 4, two ambient excursions, lifted and sun at night (the latter of which would be equally at home on a psychedelic rock lp!) and a lilting melodic closer, end of the sky

what is footwork house jam (fw)? first of all it is a long-running club night in moscow, russia, dedicated to real house music and house dance culture. started in 2010 as a small project, influenced by sound and visual esthetics of 90 s house parties in new york and chicago, fw soon has become the biggest creative community of dancers in russia, gaining strong local following and international reputation. it is the birthplace and home for leading moscow dance crews. various artists ep -footwork house jam #1- is a homage to the global house culture and the eponymous moscow-based club night in particular. the idea behind this compilation is to provide the fuel for house dance culture and house movement to expand further on, blurring the boarders and eliminating the prejudices of the present times.

ltd repress - a psychedelic jazz monster from stone cold estonia. ltd vinyl lp (500 copies) forerunners of underground estonian jazz-funk since 2013, estrada orchestra is a 5 pieces band based in tallinn. loosely defined genre borders situate the group of master improvisers into equal parts psychedelic grooves and avant-garde. although names like herbie hancock and mulatu astatke pop into mind, the list of kindred spirits of estrada is far and beyond to find.

wir befinden uns in einer künstlerischen renaissance. wir haben unsere ausdrucksform geschärft. im februar 2017 erscheint dear bigotry, das neue album der norwegischen indie-band einar stray orchestra. das neue werk der band um sänger und pianist einar stray entstand im letzten winter auf einer insel an der nordwest-küste norwegens. während vor den studiofenstern stürme wüteten, nahmen die fünf bandmitglieder zusammen mit den produzenten marius hagen (frontmann von team me) sowie rumble in rhodos-gitarrist oyvind rosrud die zehn stücke ihres dritten albums auf. -die neuen songs drehen sich um doppelmoral, eine hassliebe zu oslo sowie neue aspekte unserer religiösen erziehung. die maximalistische klanglandschaft wurde beeinflusst von allem zwischen arabischem folk bis lana del rey,sagt die band. dear bigotry- erscheint am 17. februar 2017 auf sinnbus. ausführung lp: lp auf burgunderrotem vinyl cover auf dickem karton, inc.download-code (mp3, 320kbit/s)

after a first collaboration focusing on the city of angels, la legend john tejada and acid innovator tin man (johannes auvinen), this time brooding on the latters home city, and formers birthplace, vienna. the austrian capital is known as the city of music and the city of dreams, two broadly aligning concepts that go far in describing this beguiling 12-inch. the four songs were mixed down live to 2 tracks, created in the real world without a daw, or multi tracking, which has really captured the spirit of performance and improvisation. succeeding railjet, a tense drum workout, comes bim, referring to the colorful trams that run through vienna. here, auvinen sculpts his 303 into near-pizzicato form. the acid box is accompanied by stately pads making for one of the duo’s most memorable tracks yet. the next cut, danube nights, references the mighty, ancient river, the flow motion mirrored by a couple of widescreen acid lines. a pensive lead and some melancholy chords emerge, but the drums roll right along like the water- tough enough for a heaving floor with a hint of fragility for the headphones. the record concludes with the acidic prater allee, named after idyllic, sprawling park on the banks of the danube. the duos love letter to vienna is well-suited for travel, for the dance and for dreaming.

following two staggering contributions from the analogue roland orchestra and 2030 that illustrated to boundless sonic possibilities for the label, deep’a & biri return to their tel aviv-based black crow label with a pair of powerful, emotive techno cuts in the style for which the duo long since become admired. for a long time one of those admirers has been detroit techno founding father derrick may, who has been on a mission to push the new 12inches a-side, basic cycle, into instant classic territory through his unwavering commitment to making the track a highlight of his sets. may has been far from alone, with the track being one that d&b have been asked about, if not outright begged for, over the past year or so. it finally becomes available to techno fans worldwide in january 2017, backed by the pummelling rhythms of overdrum, which itself has the potential to turn heads and drop jaws all by itself.

vinyl only .. space is most definitely the place as far as the latest vinyl adventure from us here at future reactions is concerned. with galactic references aplenty, futuristic soundscapes and more than a hint of interstellar travel on the analog core ep, the only thing missing is an astronaut suit. manning the controls of this otherworldly craft is josé rico, a key figure in themadrid underground scene through his associations with the downbeat and freebeat labels, who blasts off with the raw emotional electronica of orion. that man rico also features alongside the much-vaunted leonid (dolly/sistrum/statik entertainment) under their joint studio guise of cygnuss. having made their debut on freebeat earlier this year with the well-received long player night drive, the duo are on a mission here to warm-up the dance-floor with their house-not-house rocket journey to outertape. hailing from buenos aires but with a sensibility rooted in chicago and detroit, diego perrisson caught the attention of the more discerning ears as co-owner of the short-lived but not-forgotten label monochromatic. turning heads once again with his new venture, fundamental sounds, perrisson captains a smooth touchdown with the cultured deepness of restless ride.

unbalance is an artist that developed his sound douring the last 5 years. coming from russia this artist found home in monasterio (moscow).
and slowly crafted his own way of making things, this record shows how far he developed this sound untill the point of no return.
these 4 cuts are are functional, technical and most of all recognizable. floor fillers and hypnotic instruments for every situation of the night.

raw minimal techno specialist mono junk is back with a selection of new material on his own dum records. having pioneered key techno sounds as far back as 1990, more than 20 years later the influential finnish artist is still on top of his game. up first is halo, nine minutes of edgy techno with a nervy lead synth snaking around in paranoid fashion. rolling drums set a direct groove in motion below and the whole thing will be brilliantly hypnotic on the dance floor. halo 2 is a hallucinogenic bit of ambient with celestial drones and icy synth prickles making for a tense interlude, then musta peili is all fucked up and scuzzy, study and disrupted. sounding like a slowed-down techno track heard though a freezing snow blizzard, it is masterfully textured. farewell closes out the ep with an intergalactic bit of glassy melodic techno that will have you up on your toes.

tell (aka milan for the ones who know) is a french producer who did tracks for beat x changers, banoffee pies, house running, nachtbreaker new imprint & just caught the attention of the mighty boiler room. this is his first ep which is in fact a mini lp & it s a fucking killer ! if you like pepe bradock, moodymann & strictly rhythm (so skylax in a way ,-)), this is definitely for you. ultra classy producer on the verge of getting big. we ve been following him for years now (thx to garage shelter / signal st advise) & we won t regret, the result goes far beyond all of our hopes. futur classic. skylax records 4 ever

this is toma kamis first release on his own label man band. the imprints name derives from the well known one man band expression and aims to focus on the correlation between this statement and the process of making electronic music as one person. the result is a record with 4 singularly different tracks, blending cosmic and percussive sounds in a variety of styles, and featuring the bewitching voices of bulgarian women on the title track dali bear which has had the most support so far.

hidden spheres comes drifting off of the sunset coast with four soothing slices of winter sun from far away islands and mountainous journeys.

side a starts with aster ix, a track with simple percussion and a hard, yet smooth, bassline. the continuous pad and the occasionally sparky chords make aster ix the perfect combination for an 8-minute track designed to keep you up. this 12-minute vinyl flaunts on the same side twisted , which takes the darker side of the producer one step further. the dark track, twisted , boldly surprises you with the trippy sequences of its repetitive vocals. side b is represented by the most complex track of the ep: organik -- a track playing with a natural groove as well as acoustic-based elements. it s a 15-minute journey with spacey and atmospheric-drone sounds that takes you far away while listening.

special deal! it was a matter of time until john swing finally made his debut on warm sounds with three cuts in collaboration with the yet unknown david soleil-mon. considering john swing s previous material, this featuring defines a fresh approach to the composition. the signature raw grooves that have so far delivered stripped down, minimalistic house gems are now opening up to more meditative states of mind through a crafty combination of tones. every element sounds organically in its place: a1 delivers the right energy for the conscious dancefloor while a2 steps forward towards a more futuristic groove aesthetic. on the b side, searchin pleasures us with a lo-fi 11 min journey crossing over from dub to jazz while still keeping the signature house sound. definitely a turning point for john swing, who s now uncovering a new side of his faceted output. limited to 500 hand numbered copies.

under the moniker shed, pawlowitz published three highly ambitious albums in which he defined his work more and more as his own way of musical narration. the final experiment? is definitely the temporary highlight of this evolution. as musical work it does establish shed conclusively as one of the most interesting and substantial electronic music artists of our time. it carries a vibe, that links shed to other boundary breaking artists such as ryuichi nakamoto, brian eno and carsten nicolai. however, shed found a way to develop a highly individual way of communicating electronic music, that is self-sufficient. the last experiment is a mostly homogeneous piece of work, a meditation, where the stylistic confusion seems less important than then musical statement that it represents.

since their inception in 2013, east london duo payfone have been breathing warm-blooded soul into their unique machine-fuelled groove. drawing the dots between the white isle and nu yorica - by way of london s narcotic nightlife - the pair conjure a rhythmic throb and soulful devotion all of their own. together, phil passera and chieka ononye buzz along the fault lines of classic r&b, cosmic disco and acid house, injecting their sound with 21st century syncopation. adhering to a strict no samples rule, their manifesto demands that everything be 100 percent original. it s a formula that s worked well so far: the pair have been widely tipped across the blogosphere and are currently linked to celebrated us imprint golf channel recordings. following three sold-out releases for the label, they return with another pair of discreet bangers, justified and we are chains. the tracks turn up the heat on their previous releases, again offering the vocals of performance powerhouse louis howard jones whose lyrics spark with a political punch.

we know by now that polen is always searching for fresh talent. dave, teluric, shadee, louis mcguire are among the fresh artists released so far. now its time for young andu simion to join the label. the ep offers 3 tracks made for dancing, use them wisely and you will get the desired effect on the dance floor. 180g with a nice full cover print.

julian stetter might be best known as one half of the electronic pop duo vimes, but he is no stranger to the cologne club scene. his debut ep insides stems from a long history of djing and organising underground parties across the city. a resident dj and collaborator at colognes famed jackwho club, it was these surroundings that drove stetter to dive deep into producing. his first solo project is now set to be released on the label pnn. it features three tracks plus a remix by beyou. stetters sound is polished and the precise production of each three tracks make this ep feel far from debut. emily, the main track of the single, draws you in on shimmering waves that rise and break into a deeper and spacier sound. warm beats are interjected with random snippets of whale song. listening to emily feels like receiving a welcome hug at an after party.

die sprache der trommeln - eine rhythmische reise durch genres und kontinente.

an italian-spanish connection is always a good thing. the sort of sensual and mediterranean emotions that carlo and black loops can deliver, is a skill that has been taken far on this new ep. the dichotomy can prove difficult to square sometimes, particularly when the guys have different paths in their sound. but the mix is rich here. the intermission ep is a packed full of soul samples, warm pads, and great solid beats wrapped up as a soulful declaration. their massive love for music really shines through in this ep.

second release from this dutch 12” imprint. 180 gram and vinyl only as usual!

the newest release from unrilis packs a literal one-two punch with “stay with me”, a hard-hitting double feature with kaiserdisco and fabio neural bringing out their finest work for summer 2016. the combined efforts of frederic berger and patrick buck under the name kaiserdisco deliver no less than their best on this collaboration with a lifer if there ever was one: fabio neural, who brings a love he has held since the age of 13 to the collaborative efforts showcased here. having earned respect with appearances on record labels like drumcode, and gracing clubs like soundgarden and festivals across europe, one hopes this is far from the last listeners will get from this truly outstanding partnership.

raunachte huntsmen die wilde jagd return to jennifer cardinis correspondant. previously spotted on the labels far-reaching compilation 4 album earlier this year, the duo ride back into town with two more chilling tales.

whether you’re floating free to antipodean ambience or toasting the sunset with a baltic beauty, you can always count on growing bin to take you someplace new for a while. swapping bucolic poland for the buzz of the big apple, the hamburg imprint reaches a magnificent seven in the company of synth-pop dreamer shy layers (jd walsh to his mum) and his sublime self titled debut

after a career in electronic music spanning more than twenty years and so far yielding over fifty vinyls under a host of guises, alex cortex now delivers his latest treat, his own label, range. it will be home, of course, to his own music, but will also welcome guests that in some way played a role on his path. no specific rules have been set as to musical styles, very much alike the diversity alex cortex is known and respected for. the thread holding it all together is authenticity.

this was mistakenly listed as being on random color vinyl. it is not. there is not and will not be any color vinyl. just black. azimuthal equidistant is a 3 track ep from hieroglyphic being & the configurative or modular me trio. the title track is a jackin phaser workout, while discotic compuserve is minimal bleep at its best and how far back is a contemplative lowbit riddim!

alma negra is a swizz collective that consists of four musically driven friends, the figuiera brothers dersu & diego who s roots are established firmly in their cape verdian heritage, dario with his half and half portuguese/italian mix and finally mario with spanish roots. they are all passionate diggers who love playing music from all over the world, something that s evident in their productions as well. encompassing jazz, african and latin sounds to soul, funk, disco, house and even techno. as far as inspiration goes they mention donald byrd ,fela kuti and theo parrish. their creative output has let them to release on such fine labels as sofrito, highlife and most recently basic fingers. fans of alma negra include gilles peterson, ben ufo, axel boman, dam swindle, africaine 808 and tim sweeney. digger s workout part 2 continues where part 1 left us, proving once again alma negra are on a roll. included is a killer remix from osunlade and his yoruba soul mix of safari is deepness on a new level.

we are super excited about this rob hes s this release on tronic. -the solution- is without a doubt one of our biggest tracks in a while. it features a hypnotic musical hook that devastate the dance floors every time. early feedback has been amazing so far. for the two other tracks rob collaborated with up and coming laat, and patrik berg. -beloved- is a simple yet powerful groover. and -my moog- has a twisted moog bassline and is a great track for the morning hours.

next up creme organization is a return by regular artist lake haze. following his natural insight ep earlier in the year comes intergalactic communicationz, four more fresh tracks of acid, techno and electro that is brilliantly evocative. the portuguese artist known as goncalo salgado also please son labels like unknown to the unknown and is a real hardware master. at the gates ov futron is a turbulent lack track with zipping acid and a cacophony of percussion that is visceral as well as cinematic. drexciyan aquarium is, as the name suggest, an aqueous electro track that slithers and slides through an expansive underwater world. poseidon s dream then offers a more rugged electro groove that is backed by heavenly pads and a real sense of loss in the synths. last of all, intergalactic communication closes out this far travelling and intergalactic ep with a sci-fi deep house track that is filled with light, 909s and a sense that the end of the world is coming.

according to numerology the number five is the most energetic and dynamic of all the single numbers. allow this to be one of your defining expectations when you start listening to * 5 *, the debut album from parisian maestro djebali. the number not only marks the number of years that have passed since his label was conceived, but also represents the months it took to complete his very first long -player. this is an important milestone in any artist’s career, the first time they have the opportunity to create something timeless – a culmination of all of their experiences so far, and a statement about where they are, and where they’re going.

ilario alicante is back on the track and he simply beats the shit out us! the italian techno maestro presents a stronger than strong release that defines the alicante-sytle in pure perfection. the extreme detroit flavoured alicante double pack tracker comes with remixes by adventice and mark broom. alicantes originals “virgo storm” and “hypno” are based on a massive and masculine beat programming and wave the “purpose maker” and “axis” flag like no other of his releases so far. this is heavy material - this feeds rob hood and jeff mills fans and we can see and hear alicantes admiration for the underground resistance back catalogue here! adventice (dj deep & romain poncet) remix for “virgo storm” follows this direction however it leaves out the manic synth elements and incorporates even more peaktime-floor-action-sounds that have only one message: total dancefloor madness! mark brooms remix for “hypno” introduces a very cool but deep-dark and filtered organ-bassline which gives his remix an even more hypnotic touch in contrast to the cheeky and nasty original by ilario alicante. this 4-track-package proofs that good and solid techno is still fresh and alicante leaves a major footprint with this release! play this loud and drive your speakers to the edge, azzurro alicante is back on cocoon recordings!

andre crom is back with what are likely to be the biggest club trax of his career so far.

anthem alert ! swedish house royalty lands a hefty old jam down to warm us through winter classic house flavour here, but pulled off with his tried an tested ear for a hook and a tough beat to sail er by. it s the very definition of ear worm ! with celebrated releases spanning almost two decades on esteemed imprints like maw, sonar kollectiv & especial, you know mr e means business... our man in moscow, lay-far works up a sweat on his dub and remix versions, amping up the low end and applying some irresistible crunch to counter the smooth a side. limited copies folks, so don t snooze on this !

society 3.0 recordings set out to put together a collection of songs in the form of an excellent 12- maxi single / digital download release, featuring 6 tracks from a host of talented artists. marc de vole & ray simon dominate the first half of the record, with their incredible dense sound and awe-inspiring deep house philosophy. mr. de vole has been into electronica since the late 90s, and his seasoned experience clearly shows through his track. this is an artist who strives to create focused and punchy tracks, yet retain a very special intuition that add that sought-after -human touch- to his works. russian artist -tuneon- dominates track n.3, -blumarine-. the song flirts with 90s disco and house influences, adding some color and texture to the setlist, without straying too far from the mood previously set by marc de vole and ray simon. the second half of the release features the work of sergio parrado and ernesto paredano, who set out to collaborate on 3 tracks for this release. these tunes showcase a more modern and european approach to the sound. on -mamey- and -krill-, the pair showcase an interesting approach to percussiveness, creating intricate and dense rhythmic pattern that truly drive the songs. closing number -tempranillo- embodies the spirit of classic deep house and tech, serving as a perfect closing number for such an exciting and diverse release.

new 2x12 inch vinyl reissue of the seminal 2001 album from telefon tel aviv with liner notes by laurent fintoni. comes in gatefold sleeve with download code (includes archive 99 material).

introducing ideaz, two skilled beat-makers discovered by cold busted, hailing from within the funky heart of russia. marat and nicolay make their ideaz debut with motion capture, a fantastic 15-track album that showcases the laid-back, blunted flavor of the duos rhythmic constructions. jazzy samples, vinyl pops, and crafty scratches abound as the album speaks the universal language of the instrumental hip-hop head-nod. “every day” hypnotizes with its funky handclap stomp, quick guitar riffs, and fleeting splashes of vocal. a gentle approach is revealed on “blossom fell”, featuring a dreamy female vocal hook, slowly tremolo’ed electric piano chords, and an overall air of wistfulness. “lines” brings ideaz into futuristic funk territory as its loping cut-up beat, abstract synth melodies, and ascending bass line imagine a robot dance-off on a year 2054 episode of soul train. those are just a few of the highlights to be found on motion capture.

long awaited repress of this amazing masterpiece as very limited white vinyl edition. what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. ‘black light’ sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

sn variations is proud to present adrian corker soundtrack to the have nots, the new film by acclaimed german director florian hoffmeister.this is the next release after the excellently received scelsi ep(quietus top 100 releases of the year so far,vinyl factory best vinyl releases, this beautiful designed record the wire, ear-stretching, life-enhancing stuff the arts desk)

mculo, aka dan schey, is a producer and dj originally hailing from london but now residing in berlin. over the last 2 years he has been cultiviting his own roots by the oder imprint on which he released his bunzlau tape ep and his i caught a glance ep which was out this summer, as well as regular appearances on the likes of kmah radio and nts. he is also a frequent dj in berlin alongside the likes of close affiliates chaos in the cbd and youandewan. this is the follow up to his dreamy i caught a glance ep. its a far darker record than his previous releases, focussing much more on the dancefloor. it s been a regular feature in mia dora s dj sets for the last 12 months.

>i take my guitar and strum and sing some tings and blow peoples mind. but i aint trying to do anybodys music. im doing what i feel< - shadow when it came out in 1984 the far-out album sweet sweet dreams by trinidad & tobagos shadow (aka winston bailey) was described as way ahead of its time. undeservedly it was panned by critics and, unable to reach markets, disappeared into the dusty record collections of a few music aficionados. now, more than three decades later that cosmic dance-floor ufo is about to take off again, change all that and set the record straight. remastered and cut by frank meritt at the carvery the album is truly a masterpiece.

es ist bereits das zweite comeback von pete doherty in kürzester zeit. nachdem er schon letztes jahr mit »anthems for doomed youth« ein neues album seiner band the libertines veröffentlichte, folgt 2016 mit »hamburg demonstrations« ein neues solowerk des britischen rockmusikers. es ist der nachfolger zu »grace/wastelands« von 2009.
die vinyl-lp erscheint inklusive downloadcode.

rysunku is proud to present it’s newest signing, esteemed producer noble drew ali aka morell maison. the artist will be launching the new signing with his debut ep ’natasha’. though the artists own music production has hardly yet revealed itself, his presence within the industry has been far from unnoticeable. nts radio monthly resident and renowned as a substantial contributor to the artistic development of contemporary electronic music. with his debut ep, ‘natasha’ , audiences will finally be able to experience the more personal outcomes of noble’s musical approach so far. here we hear noble drew ali exploring a sonic architecture of sweeping yet poignant baselines and fragmented percussion. the first listening experience to have evolved from noble’s cultivating musical journey. lovingly pressed on an extremely limited run of 300. five stunning tracks on 180g black vinyl featuring artwork by gareth horner. rysunku is truly honoured to be releasing this music.

!! 70% xmas deal !! - last copies left , we re back with aria rostami s czarat ep, spring theory s sophmore release. rostami is a san francisco-based musician whose roots extend off into theoretical dimensions far beyond conventional dancefloor fodder (his material has appeared on labels like audiobulb and crash symbols). for czarat, however, he s honed his approach to produce an unusual dancefloor anthem. melding influences from around the world, the song arrives at something that sounds like acid house and techno as interpreted through an internet-enabled, information rich dialog of the present moment.

joy, ease, lightness is a 4 track ep aimed squarely at the dancefloor, but with a meditative awareness that reaches far beyond the club. fans of seven davis jr, steve spacek et al, watch out - there’s a new man in town: and he goes by the name of dan kye. yet another stellar release from the rhythm section international crew - undoubtedly the label to watch in 2016.

why why why by the woodentops is a turntable hit in the birth of the balearic club scene. arriving first in 1985 as a mix by adrian sherwood, a regular amnesia track and again in 1987, as a live and far more up-tempo version from a number one live album.

fortuna records have gone all out and reissued one of the most insane, far out records to have ever come out of lebanon. originally released in 1980, raja zahr’s “drum sequence” is a ‘get crazy’, experimental disco monster, utilizing middle eastern percussion and analog synthesisers, so mind boggling they would keep any dancefloor begging for more. and there is more. two additional tracks of lebanese percussion madness by raja make this an essential triple banger previously known only to serious collectors with cash to burn. meticulously remastered for club use and approved by mr zahr himself, this crispy 12” is one for the freaks. so go on then.